14th.
BALLET: BEHIND THE SCENES
Ballet is a known art form brought to the world during the Renaissance period in Italy. An Italian woman by the name of Catherine Medici brought the art with her to France when she married Kung Henry II. The term ballet evolved from the Italian word ballare which means “to dance”. From France’s courtyards, it spread out like wildfire throughout the globe. Now, ballet has its own varieties: Vagonova Russian ballet, Balanchine method, Cecchetti method, En pointe, and the Royal Academy of Dance of the American style of ballet.
In the Philippine setting, ballet companies thrive to highlight and enhance ballet as both leisure and art and three prominent companies in the Philippines include Ballet Manila (spearheaded by Philippines’ internationally-acclaimed prima ballerina, Lisa Macuja), Ballet Philippines and The Philippine Ballet Theater.
Have you ever watched a ballet recital or performance onstage? The dancers appear beautiful, poised and they seem to be floating flawlessly as they sweep across the stage with their movements. Although ballet is beautiful to watch, nobody knows the other side of the glitter and glamour other than the dancer herself or himself. Center stage, they hold their proud position all throughout the show, but does anyone really know how hard it is to maintain a “pulled up” position for more than a few minutes?
To “pull up” means to suck in your stomach, straighten your back and hold your chest high and stand like that for long moments until the show ends. Their gracious smiles hide the excruciating pain they feel.
Aside from the different steps and skills, the rehearsal period is also a killer for the dancers because it really takes up the dancers’ time. They get to encounter stress, become pressured to maintain their very slim bodies when they already appear onstage.
Darren Aronofsky’s 2010 psychological horror film Black Swan puts into forefront the reality behind the beauty that is ballet. The pressure to strive perfection
One of the advantages of engaging in ballet is that it can boost the ballerina and danseur’s confidence. Having the opportunity to dance onstage helps overcome the fear to stand in front of a large audience. In an article by Mary Anne Jacobsen entitled Ballet VS Sports—A Dancer’s Lament, by the time the show ends and the dancers get to do their curtain call, “[a]s brief and fleeting as those bows will be in comparison to the effort expended, it is the ultimate reward for all the dancers’ efforts.”
The end of a big performance affects the dancer in many different ways. It depends on how well he or she has done with her performance and how well he or she was received by the audience. Knowing that she has done well onstage, this will push her all the more to work harder. On the other hand, if he or she makes a mess of his or her performance, he or she would be highly discouraged, but this would also be a factor for him or her to work just as twice as hard. Lesson learned, ballerinas and danseurs go back to their daily classes and wait for another rigorous training to get a chance to show her true talent in another big time show.
A lot of people also see ballet as a form a healthy way to exercise and strengthen their stamina. The warm-up class of the dancers would normally takes about two full hours at the most. It is divided into three parts: the barre, adage and allegro. It starts with the barre, the handrail connected to the wall of the dance studio where the dancers can support themselves and find their balance or center. They start with the plies, the bending of the legs; this loosens up the leg muscles and prepares the dancer for more exercise. Later on, the barres are removed and they are tested in their balance on the center of the studio. The adage is slow and graceful and this is to test if the dancers can actually support their bodies and try to maintain balance all throughout the exercise. Then the dancer move on to strengthen their stamina by moving on to a series of jumps or allegro. This is the fast portion of the class since it tasks the dancers to keep up with the fast-paced music as they jump high and turn fast. The class finally ends with the acknowledgement of the students to the ballet master or mistress with a curtsy or a bow as a form of respect.
Even if the outline of the class seems easy, it’s the hard work and the effort that the dancers apply that makes the class exhausting. At the end of the day, a dancer sits and catches her breath, tired from all the dancing, stretching, and turning and jumping—pounces on the bed and sleeps like the dead.
Once the dancers develop confidence of what they are, they begin to be too self-conscious. Ballet is all about perfection. Ballet teachers take their time to mold the posture and image of a dancer. Constant criticism makes the dancer paranoid by thinking that he or she may not be “perfect” in the eyes of his or her mentor. The dancer feels that he or she has to be perfect in every way.
Onstage, ballet is a very memorable vision to watch. But once you have peeked into the dancers’ dressing rooms you will see the other side of it. It is very hard to cope with the pressure of being perfect at all times. Ballet is not as easy as it looks and requires serious efforts from the dancers. Along the way, the dancers gain lessons and experiences that are wonderful. To some, ballet may be the monster that teaches the mind to be too conscious physically and mentally and the fiend that takes away precious time for other things.
These are the things that we know of the dancers onstage. But there’s a lot more happening behind the curtain. It’s about time to see the dancer up close, backstage.






